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Neither Old, Nor New: The Southern Belle Archetype in Lillian Hellman's Birdie from The Little Foxes and Tennessee Williams's Blanche from A Streetcar Named Desire
Soukupová, Markéta ; Ulmanová, Hana (advisor) ; Veselá, Pavla (referee)
The aim of the BA thesis is to describe the origins of the Old South's archetypal feminine ideals and how they were altered in the course of time. In what follows, I will attempt to explain how southern elite (re) defined, enacted and/or maintained the distinctive role of Southern Belle while others refused, modified or debunked these ideals. The thesis will be approached from an interdisciplinary point of view; it will encompass literary theory, namely in respect to relevant archetypal definitions that will be applied to the specific Southern Belle figures, as well as historical, social and cultural studies. Finally, feminist and gender theories will be employed in order to demonstrate how the cultural archetype of the Southern Belle served as a socially constructed norm enforcing women's passivity and submission to patriarchy. After the introductory chapter, which will present the American South and its inhabitants as a distinct entity, chapter two will comment on and explain the aims and methodology of the thesis and the key terminology that is essential for the Southern Belle concept. Chapter three shall provide a succinct socio-historical context of Tennessee Williams's A Streetcar Named Desire and Lillian Hellman's The Little Foxes in relation to their particular Southern Belle constructs....
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Neither Old, Nor New: The Southern Belle Archetype in Lillian Hellman's Birdie Hubbard from The Little Foxes and Tennessee Williams's Blanche Dubois from A Streetcar Named Desire
Soukupová, Markéta ; Ulmanová, Hana (advisor) ; Veselá, Pavla (referee)
The aim of this BA thesis is to describe the origins of the Old South's archetypal feminine ideals and how they were altered in the course of time. In what follows, I will attempt to explain how the Southern Belle myth became (re-)defined, enacted and/or maintained throughout the era of the Antebellum, Post-Bellum and New South perspective. The thesis will employ literary theory, namely in respect to relevant archetypal definitions that will be applied to the specific Southern Belle figures, as well as historical, social and cultural studies. Finally, feminist and gender theories will be utilized in order to demonstrate how the cultural archetype of the Southern Belle served as a socially constructed norm enforcing women's passivity and submission to patriarchy. After the introductory chapter, which will present the American South and its inhabitants as a distinct cultural entity, chapter two will discuss the aims and methodology of the thesis and the basic terminology that is essential for the Southern Belle concept. Chapter three shall afterwards briefly introduce the specific constructs of the Post-Bellum (Lillian Hellman's The Little Foxes) and New South (Tennessee Williams's A Streetcar Named Desire) Belles in relation to their concrete socio-historical contexts. Chapter four will then consist...
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